How You Say What You Say is Part of What You Mean

What defines imaginative writing and “creative nonfiction”? This lecture will examine one of the most inscrutable pieces of writing ever produced—James Agee’s six-page-long “Knoxville:nSummer, 1915”—to reflect on the too-often-overlooked foundations of the techniques, strategy, and purpose of literature.

The programme is suitable for readers and writers of all levels.

This programme is co-presented with the Asia Creative Writing Programme.

REGISTRATION DETAILS

Cancellation:

The programme can be cancelled or postponed two weeks before the programme date if the minimum number of participants is not met. Participants will be fully refunded for workshops cancelled by us.

Participants who are unable to attend a workshop they have registered for are to inform us of the reason two weeks before the workshop date. They will be fully refunded in the event of extenuating and mitigating circumstances (E.g. illness, bereavement, accidents) . Those who inform us up to 5 working days before the workshop date will receive a 50% refund. Those who did not turn up at the workshop will not receive a refund.

Upon registration, you are deemed to have read and understood the cancellation and withdrawal policy and accept the terms contained therein.

ABOUT THE SPEAKER

J.C. Hallman

J.C. Hallman grew up in Southern California. He studied creative writing at the University of Pittsburgh, the Writing Seminars at Johns Hopkins, and the Iowa Writers’ Workshop.

Hallman has published a book of short stories, The Hospital for Bad Poets, and edited two anthologies of “creative criticism,” The Story About the Story and The Story About the Story II.

Among other honours, Hallman was a recipient of a 2010 McKnight Artist Fellowship in fiction, and a 2013 Fellowship from the John Simon Guggenheim Foundation in the general non-fiction category.